2 for 1 !
The SÄCHSISCHE SCHWEIZ kollektiv (physical theater) and SONDER:SAMMLUNG:5 (dance theater) present their plays as a double bill at Barnes Crossing.
Note on accessibility: Hearing technology for induction (T-coil) is available, please contact the evening staff if you are interested. The premises are barrier-free.
SÄCHSISCHE SCHWEIZ collective
NOISE
a tragic comedy about the stress of everyday life
or
the loudest romance in the world
Sascha and Ivonne have more than just [bleep bleep] feelings for each other. They try to [bleep bleep bleep] their love for each other, but they just don't get along. [klonk]
[bleep bleep]
Trailer NOISE: https://www.youtube.com/watch?v=OMjrIcHgNdE
Concept & play: Ivo Schneider, Saskia Rudat
Stage: Dorothea Mines, Ivo Schneider, Saskia Rudat
Costume: Dorothea Mines
Sound: Kolya Wulf
Light: Jan Widmer
Assistance: Pia Heldmann
VK & Outside Eye: Theresa Hupp
SONDER:SAMMLUNG:5
TO THOSE WHO DON'T
A dance theater about the inescapable functioning in the structure of a recomposition of Ravel's BOLERO.
i call myself a FLOP on a daily basis.
WAIT. [flop]. WINNING. continue. TRYING.[flopflop] keep going. FAILING. just keep going.
WINNING TRYING FAILING. -- WAIT [flopflopflopflopflop].... I am a machine.
Never stop, always doing, acting, producing, NO MATTER WHAT. The composition transports two performers over a mountain. Both perform their own loop, together they become an apparatus. Like NPCs - non-playable characters in a computer game - they are trapped in their programming. The end is immediately followed by the beginning. Having arrived here only means that things simply continue. - Or will the net rip open? Do we allow ourselves a utopia?
And what will it look like?
Concept, creation & performance: Theresa Hupp, creation & performance: Stefanie Schwimmbeck, composition: Oxana Omelchuk, outside eyes: Carla Jordao, Saskia Rudat, costume: Dorothea Mines, lighting: Jan Widmer, mixing & mastering: Constantin Herzog, production assistance: Sinja Kilius, audio recordings: Will Saunders
The performances are supported by the Cultural Office of the City of Cologne and the Karin and Uwe Hollweg Foundation.
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