Eine Gruppe von Tänzer*innen bewegen sich unisono auf der Bühne.

PHOTO: © © Darrin Zammit Lupi

Paloma Muñoz & ZfinMalta, Matthew W. Robinson & Of Curious Nature: NACAR / Arcadia

Noch niemand hat sich das Event gemerkt.

In the organizer's words:

About the pieces:

The National Company of Malta is returning to Bremen to present a choreography by Paloma Muñoz, currently one of Spain’s most sought-after choreographers. OCN will also perform “Arcadia” by Matthew William Robinson from its repertoire.
The National Company of Malta, which caused a sensation in 2025, is returning to Bremen.

The guest performance *NÁCAR* explores the desire to connect with our spirits: those we have captured in images, those who live on within us, and those who, though invisible, nevertheless always accompany us. In this powerful new production by Paloma Muñoz, floating figures appear frozen in time, breathing and fading away even as they are being watched. Their bodies, exposed to our gaze, speak to us and urge one another to remain present and to be remembered. NÁCAR invites us to make our bodies available to the memories of others—bodies become vessels of presence, beauty, and shared echoes.

On this evening, Of Curious Nature will present the choreography *Arcadia* from its repertoire, created by Matthew William Robinson, the current artistic director of the Zfin Malta company. With the title Arcadia, choreographer Matthew William Robinson refers to a place of longing that many strive for, yet whose fulfillment remains out of reach.
The stage evokes a space reminiscent of the edge of a sports field. Athletic bodies move in glaring, artificial light as if on a runway. All seem absorbed in their own self-expression. And although they are in the same place, they have little to do with one another; rather, they serve as a social backdrop for one another. A strange emptiness spreads.

With OCN, Robinson examines the artificially generated images of perfection in the digital present—the ideals of today that drive us. In this way, he links the longing for Arcadia with the human, narcissistic circling around one’s own image—staged and multiplied a thousandfold on social media—and makes the highly polished visual world appear as a lifeless shell.

About the Choreographers:

Spanish choreographer Paloma Muñoz has established herself as a clear, uncompromising voice in the international contemporary dance scene. Her award-winning work *La Quijá* is currently touring Europe. As a dancer, Paloma Muñoz has worked with Ramón Oller and at Thomas Noone Dance in Spain and Norrdans in Sweden. In 2016, she founded her own company, Siberia, with the piece *La Piel Vacía*, which received awards at various choreography competitions and platforms. This was followed by productions for the Grec Festival in Barcelona, the Quinzena Metropolitana Festival, the Mercat de les Flors (Barcelona), and the Madrid en Danza Festival. Paloma Muñoz has served as a guest choreographer at 180º Madrid, Tanzlabor Ulm, and Tanzplattform Bern. In June 2022, Paloma was awarded the Bern Dance Prize for her choreography “La Piel Vacía” as part of Tanzplattform Bern. In Germany, she has already choreographed for dance companies in Münster and Bielefeld.

Matthew William Robinson (UK) has been the artistic director of ZfinMalta, the National Dance Company, since 2024 and works internationally in a variety of contexts as a dancer, choreographer, rehearsal director, and curator. His choreographic works—often realized in transdisciplinary contexts—and curated programs have been presented at venues and festivals throughout Europe and beyond. For many years, Robinson was an integral part of the Scottish Dance Theatre as a dancer and rehearsal director, where he performed works by a range of international choreographers. In 2016, he became artistic director of VERVE, where he built the ensemble’s reputation for bold commissioned works. From 2021 to 2024, Robinson served as artistic director of the National Dance Company Wales, positioning it at the forefront of contemporary dance in the United Kingdom. His contemporary movement language translates contradictions and complex emotions into highly physical choreographic compositions. For the NDCW, Matthew collaborated with Marcos Morau, Melanie Lane, Andrea Costanzo Martini, Sarah Golding / Yukiko Masui, Osian Meilir, John-William Watson, and Boram Kim, among others. Robinson is a graduate of the London Contemporary Dance School.

Accessibility information:

Duration: 75 min., including intermission
TBA

 

 

 

This content has been machine translated.

Price information:

20 € / 12 € reduced Bremen Pass: 3 € Kultursemesterticket: free of charge (limited contingent)

Accessibility information

Information from the location means that this information usually applies to the location Schwankhalle. For this event, however, it may be different. If you have any questions, please contact the organizer.

You can find everything about accessibility at Rausgegangen here.

Wheelchair accessible

This pictogram indicates that this venue is accessible for wheelchair users. All essential areas can be reached without steps—via ramps or lifts. Doorways are at least 90 cm wide, and wheelchair spaces are available in the auditorium.

Note from the organizer:

Die Schwankhalle ist »barrierefrei« (nach DIN 18040-01). Dies betrifft den Zugang zum Foyer, in den Alten und Neuen Saal sowie zu den sanitären Einrichtungen. Die vordere Eingangstür zum Foyer öffnet automatisch nach kurzem Ziehen (Türbreite vorn: 96 cm), die hintere nicht automatisch (Türbreite hinten: 100cm). Bei regulärer Bestuhlung garantieren wir idR zwei Rollstuhlplätze.

This information applies to this location and was provided by the organizers themselves.

Wheelchair-accessible toilet

This pictogram indicates that an accessible toilet is available on site: with grab rails, a height-adjustable mirror, and sufficient space for manoeuvring (at least 150 × 150 cm with a hinged door, 120 × 190 cm with a sliding door). The door width is at least 90 cm.

Note from the organizer:

Zugang über eine Schiebetür. Spiegel nicht höhenverstellbar

This information applies to this location and was provided by the organizers themselves.

Accessible for people with mobility impairments

This pictogram indicates that, at this venue, essential areas can be reached without long walking distances. There are no steps, or only a small number of individual steps, and sufficient seating is available.

Note from the organizer:

Alle Veranstaltungsräume der Schwankhalle sind ebenerdig und stufenlos erreichbar. In der Schwankhalle gilt grundsätzlich die freie Platzwahl. Wenn Sie bestimmte Plätze benötigen, geben Sie Ihre individuellen Bedarfe gerne schon bei der Ticket-Buchung an. Wenn es das Bühnenbild zulässt, bieten wir Sitzsäcke als alternative Sitzgelegenheiten an. Diese können vorab reserviert werden.

This information applies to this location and was provided by the organizers themselves.

Assistance dogs welcome

This pictogram indicates that your assistance dog is welcome at this event and can be taken into the auditorium.

Note from the organizer:

Um einen entspannten Aufenthalt für Hund, Halter*in und Publikum zu ermöglichen, bitten wir Sie uns vor Ihrem Besuch telefonisch 0421 520 80 710 oder per Email ticket@schwankhalle.de zu kontaktieren.

This information applies to this location and was provided by the organizers themselves.

Location

Buntentorsteinweg 112/116 28201 Bremen

Organizer | Event Series

2 upcoming shows of Paloma Muñoz & ZfinMalta, Matthew W. Robinson & Of Curious Nature: NACAR / Arcadia

Friday, 18. December

Select a date:

Saturday, 19. December

Select a date: