Das sagt der/die Veranstalter:in:

ROBUS FLOOR – HOSTED BY OROKO RADIO

23:00 Coco Calypso
01:00 tripes
02:30 Jay Mitta x Anti Vairas
03:30 Boutcha Bwa
04:30 Batu
06:00 ohjeelo B2B Nico Adomako

SUMME FLOOR – HOOSTEDD BY TERMINAL

22:00 Viiaan
00:00 DJ Deep RH
02:00 DJ Babatr
04:00 Ruiseñor
06:00 Benfika

Saturday night’s RSO main floor features co-curation with Ghana’s Oroko Radio. Operating as a not-for-profit project, Oroko frames its programming around collaboration and community building, broadcasting weekday sets and conversations that braid local Accra scenes with global diasporic flows.

Mauritius-based producer tripes draws on the polyrhythms of the Indian Ocean, bringing elements of traditional Sega and Maloya together with pulses of Angolan kuduro, Moroccan gnawa and South-Indian percussion traditions. These references are then transmogrified into a modern electronic dialect, their rhythms maintaining their ancestral swing and complexity and bolstered with sharp percussive hits, shifting meters, shattered effects and sleek digi-textures.

Anti Vairas is emerging as a defining voice within singeli, the blisteringly fast, street-forged sound that erupted from Dar es Salaam’s informal studios and dancefloors. The MC and performer rides tempos that barely pause for breath, firing sharp Kiswahili lyrics across hyper-accelerated beats drenched in intensity, humor, and resilience. She's joined by Jay Mitta, a key architect of singeli’s early rise and one of its most imaginative producers. His tracks ride shifting rhythms, layered structures and unexpected grooves that occasionally dip into swing and dub-like atmospheres before snapping back into high-speed motion.  

The duo of Ken’zii and Koko are the thundering pulse at the cutting edge of Caribbean shatta and bouyon. Since 2010 they’ve been shaking and quaking crowds with relentless percussion and grinding electronic layers. Their emergence from the underground circuits of Guadeloupe to global club institutions traces a lineage of basslines as inheritance and riddims as rebellion. Hymnographers to dance and sex in all its forms, they make those subs strut with a sassy flex. 

Batu has sat at the sharp edge of bass-heavy dance music for over a decade, shaped primarily through his own imprints Timedance and A Long Strange Dream. Reshaping techno and soundsystem language with deliberate focus, he’s guided by evolving concepts and sources of inspiration. Recent releases strip that curiosity back to the core, sharpening the physical charge and immediacy of his dancefloor material.

The Summe floor is hosted and curated by the collective Terminal. Founded in Mexico, Terminal has evolved into a translocal network connecting Latin American and global electronic scenes through music, research and collective exchange.

Viiaan braids ambient drift, detailed percussion, fractured rhythms, and techno propulsion into a tightly balanced world. Field recordings and shadowed textures mingle with club voltage, turning her sets into inner landscapes where water, night, and memory pool together in the mind. DJ Babatr stands at the heart of raptor house, forging a style where hard techno pressure, tribal swing, house momentum, and the pulse of Caracas collide. His tracks and sets speak to collective force and resistance. Shaped early on by Babatr’s guidance, DJ Deep RH has himself become a key shaper of a sound born in street-level parties and now echoing far beyond them. He channels that raw charge into percussion-forward tracks that crackle with motion and heat.

Ruiseñor moves through the vast continuum of Latin American and Caribbean rhythm, letting cumbia, salsa, reggaetón, dembow, and ancestral percussion converse with techno, house, trance, and bass. Each set becomes a living map of movement, a route traced through migration and return. Benfika channels guaracha, tribal house, techno, and flashes of ’90s trance into tightly sculpted dancescapes. Melodies thread through pounding rhythm, pulling both body and mind into a charged and effervescent state.