Das sagt der/die Veranstalter:in:

ROBUS FLOOR
23:00 Opium Hum
00:45 Yetsuby
01:30 Cortisa Star
02:30 NGHTCRWLR
03:15 Catnapp
04:00 TOCCORORO
06:00 RONI

SUMME FLOOR – HOSTED BY NO_STONE
22:00 Jehia
00:15 Rozzma (live)
01:15 Nunguja
02:45 Container (live)
03:30 Assyouti b2b OKO DJ

Opening the night, CTM's own Opium Hum brings the bass, flavored across the global dance spectrum.

Yetsuby moves through house, techno, and more abstract terrain with a sense of structure that feels hand-drawn rather than engineered. Her tracks shift colors mid-stride, tight grooves dissolving into wide, hazy atmospheres. Onstage and on air, she moves just as freely, slipping between Seoul’s DIY nodes and international circuits without losing her light touch. Cortisa Star grabs from rap, drill, hyperpop and whatever else sparks, then scorches it all with blown-out 808s and vocals sharpened like static.

Kris Esfandiari has long wandered between creative skins, and as NGHTCRWLR she channels that restlessness into serrated force. Her voice cuts through metallic storms, bending club sonics into something harsher and more intimate. Drum-and-bass jitters into her shadowed atmospheres, letting punked-out energy crash against breakbeats and deep, dragging bass. Premiering her new album and live show, Catnapp arrives like an electrical surge, dragging heavy low-end, vulnerable storytelling, trance glimmer, R&B snap, and a streak of numetal ferocity all tangled together.

TOCCORORO builds sets from the languages of her Cuban-Spanish roots, flipping guaracha into hardstyle blasts, melting raptor house into ballroom swing, detonating Jersey Club against tribal percussion. It forms a dizzy and bodily ecosystem where movement is compulsory and performance is a spell with a grin. RONI, founder of Nehza Records, navigates the crossroads of techno, bass, Latin percussion, and club experiments with an ear for friction and surprise. Her sets and her label share the same impulse: connect far-flung ideas, spark new ones, and keep the floor in constant motion.

The Summe floor is curated by the collective No_Stone. Emerging from Egypt’s underground music scene and shaped by the contrasting pulses of Berlin and Barcelona, it’s a melding of distinct yet harmonious artistic sensibilities.

Jehia pulls from jungle, bass mutations, IDM splinters and the wider club maelstrom, then channels all of it into sets that feel both sharpened and slippery. He builds pressure with knotty breakdowns, then flips the release into heavy, rolling motion, steering dancers through abrupt turns and shadowy detours. Rozzma treats rave weight, Egyptian rap cadences, and experimental production like volatile chemicals. The result is a jolt of abrasive drops, fast percussion, and loops that twist back on themselves until the floor tilts.

On her Oroko Radio and Refuge Worldwide residencies and behind the decks Nunguja's approach to sound is informed by layered cultural experiences and an instinct for play. Her sets feel exploratory and grounded at once, steeped in experimental textures and structures, strands of traditional African music interlaced. The result is a borderless sonic language that invites a sense of travel through rhythm and imagination.

Container has spent over a decade sculpting chaos into something that still pounds forward with purpose. Noise rock grit, battered hardware, and mutant techno all pile into his tracks, producing a style that feels like a demolition derby set to a four-on-the-floor heartbeat. His latest work leans harder into this rockstruck mania: drum machines sweat, distortion snarls, and everything lunges ahead with warehouse ferocity.

Assyouti spins the turbulence of Cairo’s streets into fractured breakbeat experiments, piecing together rhythms from static, scrapyard electronics, and ghosted samples. Going B2B with Assyouti, OKO DJ adds her own wild range, shifting through coldwave chill, EBM pressure, and tense minimal pulses.