MOLA

In the artist's words:

Whether crypto-man or crypto-substance, it will be a disastrous affair in any case. MOLA's music is the unadorned antithesis to a rosy world. It celebrates itself broken, pulls you into its inner chaos and renounces the usual romanticizing transfiguration of the merciless disorientation that catches up with you after the last cigarette on the way home. The album tells darkly yet fragilely of uncompromising autopilot nights that unite and separate us. Temporarily reduced intimate, then escalating into iconic 80's "Purpel Rain" pathos, MOLA illustrates the emotional chaos that the inner dialogue of left and right brain triggers in her. With MOLA, all experiences are suspiciously turned inside out to see what is hidden behind the everyday facade. She turns her inner self inside out and addresses what hurts her - undistorted, not exaggerated, approachable. MOLA describes her own low blows with defiant self-confidence, without sentimental glaze. Besides all the impulsiveness, MOLA can also do one thing above all: write the really big pop hits. "Snow in Summer" could be an album of an 80s punk rock band with heartbreak, but also that of an alternative band from the 90s shortly before their vacation in a Betty Ford clinic. The debut album was celebrated with a sold-out show at Munich's Ampere including special guests Fatoni, RoyBianco & the Abbrunzati Boys and Pedaz. After some support shows for Roy Bianco & the Abbrunzati Boys and Kaffkiez, MOLA is facing a festival season in 2022 that could not have been imagined more beautiful. On well-known stages like Lollapalooza Berlin, Puls Open Air and Rocken am Brocken, but also as support for Udo Lindenberg at the Hermann-Hesse-Festival "Schnee im Sommer" will sound for many more months.