His annual reviews have long been cult. Just as his annual Maibock speeches in the Hofbräuhaus have long been legendary. But when Django Asül puts together a new stage program, it's not about the day-to-day minutiae of politics and society, but about the big issues. Being topical is by no means enough. He doesn't just look at the here and now, but also likes to look elsewhere and later. Staying true to himself and at the same time developing consistently - these are the cornerstones of his work. He owes this not so much to himself, but to his audience. The responsibility now weighs heavily. Anyone who, like Django Asül, has been awarded the Bavarian Order of Merit, the Bavarian Culture Prize and the Bavarian Cabaret Prize, has understood this: The worst is over - now it's time to get down to business. And without regard to profits. And the audience can be there live. If this announcement is too cryptic for you, let me tell you: Django Asül's eighth solo program can easily keep up with any precision device made in Germany. You can look forward to two hours in which every subordinate clause has what it takes to become a main clause.
Admission 10 a.m.
Start 11 am
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