In der Einsamkeit der Baumwollfelder

In the organizer's words:

Twilight is a time of transition, when it is no longer light and not yet dark, when the day has already gone and the night is still to come: an in-between time of uncertainty and possibilities, a gray area that forbids much and allows just as much. At this hour, dealer and customer meet in the cotton fields. Their relationship is actually defined in the capitalist system of commodity flows and transactions. Generally speaking, the dealer has something to offer and the buyer has a wish. Here, however, there are still negotiations about who has what to offer, who wants to be offered something and what the business is all about. Who was looking for whom in this meeting, in which it turns out that neither of them wants to avoid it? They could simply walk past each other and leave each other standing, but something attracts and repels them that neither can be without. A "moment of forgetfulness, of confusion, of desire so heated that it turns to steam" arises. The situation becomes so charged as it progresses that the question at the end is: "So, which weapon?"
With the words of Koltès and the bodies of the actors and dancers, choreographer Valentí Rocamora i Torà explores the search of people, their elementary interaction with each other, their possible longing for transformation, the kinship of humans and animals in their existence, the duality of life and death in the vitality of creation and murder and of becoming and passing away.