"There have to be a few leads, but there will be more!"
(Gustl Bayrhammer in "Meister Eder & sein Pumuckl")
You meet them everywhere: the stupid ones who drive you to despair and silent rage.
There are the obtuse in hotlines, the snappers in doctors' surgeries, the concrete heads in government offices and, last but not least, politicians who spout (and make) so much absurd nonsense that you have to stop shaking your head to avoid damaging your brain. Unqualified information, mental immaturity, bad-tempered contemporaries, stupid nerve and time wasters, ignorant, arrogant, smug... "The main cause of stress is daily contact with idiots," said Albert Einstein. And stress has mutated into a widespread disease these days... But there really could be another way, couldn't there?
Certainly. But that would require people to open their eyes. Theirs and yours. And when you see the stupid dilettante in yourself in the mirror, the time for true greatness comes with the realization: "I know that I know nothing."
But one thing is certain: AVANTI DILETTANTI!
"What makes Lisa Fitz's performance so much fun to watch and listen to is: firstly, her masterful art of sharpening messages while remaining absolutely clean in terms of dialect; secondly, the time-saving straightforwardness and laconicism of her thoughts; thirdly, her ability to analyze with razor-sharp precision and serve the result as a carpaccio - raw but tasty; and fourthly, her irrepressible energy from the first to the last minute. She is so far ahead of those she takes on that she can justifiably be called the "Tina Turner of Bavarian satire". Because, as she also proves on this evening, she can sing as well and as captivatingly as ever. Stormy applause with a thoughtful embrace is her reward." (Süddeutsche Zeitung, 2015)
"You could have guessed in advance that her jokes would not be whispered: Lisa Fitz rushed through the Bürgerhaus like an earthquake, brushed all the clichés and superficialities of the time against the grain with her new program "Flüsterwitz", raged and shared, sang, provoked, parodied and recited that it was a true splendor and intellectually challenging joy. At the end, the exceptional cabaret artist, who was both authentic and ageless, received a well-deserved standing ovation from the audience." (Wetterauer Zeitung, 2020)
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