Richard Wagner: Overture, from: Tannhäuser WWV 70
Robert Schumann: Cello Concerto in A minor op. 129
Ludwig van Beethoven: Symphony No. 3 in E flat major op. 55 "Eroica"
London Philharmonic Orchestra
Edward Gardner, conductor
Pablo Ferrández, violoncello
"I'm Pablo and I play the cello," is how Pablo Ferrández introduced himself as a matter of course, even at kindergarten age. And how could it be otherwise for someone who was named after the "father of all cellists" - Pablo Casals - and got his first cello at the age of three? Since then, the instrument has been his second voice - a means of expression that can be used to say anything. The Spaniard was already able to give eloquent testimony to this to the ProArte audience in 2022 alongside Anne-Sophie Mutter. The anticipation of being able to experience him again as the protagonist in Schumann's Cello Concerto is correspondingly great. The great narrative gesture that accompanies this concerto can also be found in Beethoven's Eroica , which the London Philharmonic Orchestra contributes in the second half of the concert. Stories in music.
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