Nora Schultz's multidimensional practice encompasses sculptural, filmic and appropriative elements as well as printmaking, performance and language.For her exhibitions, she combines these into expansive installations in which the individual parts interact with each other. Her works usually relate to the space, so that they can be understood as a kind of speaking with and about the space: For example, by inscribing themselves into the space, taking up its structures or completely appropriating it. The central moments here are displacement, destabilization and transformation. Her works often appear to be in a precariously fragile state - somehow out of balance, faltering or in limbo. But only to the extent that it still "holds". Nora Schultz's aim is therefore not to destroy something, but rather to soften, disturb, question and disorientate it - be it architecture, structures, surfaces, borders or realities. For only when something is dissolved can it be uncovered and thus revealed from a different, unknown perspective. Although Schultz's works thus find their starting point in a very concrete space with the exhibition space, they nevertheless point beyond it and weave countless threads that open up a physical, sensual, social and political awareness of relationships, systems, structures, circumstances and conditions.
Nora Schultz graduated from the Städelschule, Frankfurt, in 2005 and also studied in the MFA program at Bard College, New York.Recent solo exhibitions include, Fished by Fish,DépendanceBrussels (2023, Two-Chambered Ears , Galerie Isabella Bortolozzi, Berlin (both 2021) and would you say this is the day? , Secession, Vienna (2019). She has realized solo performances at the Whitney Museum, New York (2017) and Tate Modern, London (2014) and participated in Skulptur Projekte Münster in 2017. Schultz currently teaches as a professor at the Academy of Fine Arts Vienna; she previously held a professorship in sculpture at the Department of Art, Film, and Visual Studies at Harvard.
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