Wolfgang is a piece for a narrator, a conductor, a musician, a choir, five to six dancers and a child. As a pack of wolves, they return to a Europe from which they were expelled for a long time and recall a cultural memory of savagery and evil. To the boundaries between man and wolf, between man and man and between audience and theater. Howling, the wolves tear at the barriers of our thinking, tear at the image of the stranger, the intruder, the fear-monger and show us how peaceful and social coexistence can be lived harmlessly and safely. The play is a theatrical crossing of boundaries, a call to be human and a four-legged exploration of dance.
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