CULK are a special band. The Viennese group led by Sophie Löw manages not to close its eyes to the world's great dreariness and addresses a discomfort
and use their songs to address an unease that is usually bubbling under the surface. After their last album "Zerstreuen über Euch", with which CULK addressed the sociopolitical
socio-political inequalities between the sexes and the destructive hegemonic supremacy of the patriarchy, they now want to
They want to open a new chapter with their third album "Generation Maximum": Sophie Löw's lyrical song texts deal with the discrepancy between supposedly falling on the butter side of life in the "birth lottery" on the one hand
on the one hand, and on the other, watching the end of a world as we knew it (or perhaps only longed for it) practically without doing anything. Whether it's the climate catastrophe, the electoral gains of right-wing anti-democratic parties, the widening gap between rich and poor or just personal, hopeless struggles in one's own precariat.
But CULK also take you by the hand. They convey a feeling of hope in the dark, give you a glimpse of the light at the end of the tunnel without making any big promises. They act as companions and convey the feeling that you are not alone with these worries: there are others who feel powerless in the face of great adversity. Where others stick to simple black and white painting in their lyrics, CULK don't make it too easy for themselves in their lyrics and music.
in their lyrics and music. Their sound has long since freed itself from the narrow corset of the post-punk/shoegaze pigeonhole and, together with the precise lyrics, conveys an extraordinarily poetic power.
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