Renowned voices address the international relevance of Rebecca Horn's transmedia work. In her work, the recently deceased artist - one of the most important of the post-war generation - blurs the boundaries between performance, film, sculpture, large-scale installation, drawing, text and photography as well as between man, machine and nature: "I like it when my machines get tired, rest, think, wait." A piano hanging upside down from the ceiling, its keys erupting noisily and abruptly, or a unicorn moving through a field of grain are just as much a part of her poetic cosmos as peacock machines, funnels, bedsteads or knives.
Her idea, developed back in 1986 with Heiner Müller and Iannis Kounellis, of reflecting the Berlin border situation with works of art in East and West, led to the large-scale project "The Finitude of Freedom" in the public space of both halves of the city after the Wall came down.
Early film experiments and, for the first time, working material by Nana von Hugo on Buster's Bedroom (1990) will be shown at the event.
With the support of the Moontower Foundation
The program
5 p.m.
Admission
6 p.m.
Welcome: Karin Sander
Introduction: Peter Raue
Texts, talks, readings, statements and film clips
Contributions by Timothy Baum, Jana Baumann, Giuliana Bruno, Lynne Cooke, Doris von Drathen, Wulf Herzogenrath, Annika Karpowski, Andre T. Lepecki, Rebecca Raue, Sandra Beate Reimann, Nicholas Serota, Nancy Spector, Martin Wuttke, among others.
8 p.m.
Film screening
Rebecca Horn Buster's Bedroom, Germany 1990, 104 min, in English language
with Donald Sutherland, Geraldine Chaplin, Martin Wuttke and Amanda Ooms
With contributions by Timothy Baum, Jana Baumann, Giuliana Bruno, Lynne Cooke, Doris von Drathen, Wulf Herzogenrath, Annika Karpowski, Andre T. Lepecki, Rebecca Raue, Sandra Beate Reimann, Nicholas Serota, Nancy Spector, Martin Wuttke and others.
In German and English language
This content has been machine translated.