How can the human body be made to sound and what happens when the resulting sounds are processed electronically? How can physical movements and actions be translated into sounds using electronic interfaces? And how can pieces of music be created that deal with the physical in an abstract and metaphorical way?
The sixth edition of Soundcinema Düsseldorf presents electronic and electro-acoustic audio productions that process the body compositionally under the thematic focus Corporeality. The Recorded Sound Festival for experimental music creates an acousmatic space-sound environment that largely dispenses with visual stimuli and invites you to concentrate entirely on listening. A total of ten audio productions will be presented in multi-channel and stereo format and then awarded prizes by a jury of experts and the audience.
In addition to the thematic focus, the free category showcases a wide range of electronic and electroacoustic music: musical compositions, soundscapes, sound collages and experiments as well as narrative audio formats and technoid productions.
With contributions from: Diane Barbé, Marija Balubdžić - Umbra, Bruno Belardi, Daniel Blinkhorn, Jan Jacob Hoffmann, Nicolás Kretz, Pedro Mileu, Dennis Scheiba, Lars Tuchel, Simon Waskow
Aftershow DJ set by Keta Gavasheli
Concept and organization: Sonische Interferenzen e.V.
Supported by the Ministry of Culture and Science of the State of North Rhine-Westphalia and the Cultural Office of the State Capital Düsseldorf.
This content has been machine translated.