In the artist's words:

"Kaltental" - the death-pop bazooka from BERLIN 2.0 from Stuttgart

Forget everything you thought you knew about post-punk - BERLIN 2.0 ignite the final stage of the punk evolution.

punk evolution. After their debut "Scherbenhügel", which was celebrated across the scene, the

Stuttgart band is now dropping a bomb on post-punk Germany for a second time with "Kaltental" - and with this

This monster of a longplayer makes one thing clear: they're not riding a wave here. There will be a wave

will be triggered. "Kaltental" is the dystopian soundtrack of a burning world in the endgame of

of capitalist ideology, between end times and new beginnings, resignation and willingness to fight. Harder,

darker, more urgent. With a mixture of raging hardcore outbursts, classic rock elements

rock elements, post-hardcore guitar walls and melodic end-time pop, "Kaltental" crashes

outrageously confidently through genre walls and bombs with radically clear-sighted lyrics by

Elena Wolf's radically clear lyrics and bombs gabion fences in front gardens and the heads of "normal" Germans in the

rearmament madness. Ferdinand Führer from Fieser Schwan Recordings recorded "Kaltental",

mixed and mastered "Kaltental" and transformed it into a raw, droning elegy that takes no prisoners on the dancefloor.

on the dancefloor.

The anti-fascist Bladerunner-Jeanne d'Arc in medieval armor on the cover is more than just a reminiscence.

more than a reminiscence of revolutionary female figures in history and art. The

neo-retrofuturistic artwork by Viennese photographer Doris Himmelbauer is the cinematic visualization of an album

visualization of an album that deals with violence, vulnerability and the longing for a better world.

world. "Kaltental" is war, both internally and externally. But also a primal cry for love and

solidarity in the unwavering conviction that everything can be completely different.

Kaltental will be released as an LP in two versions and digitally.