30 years are over. So let's go!
"3000 Years GrooveStation" is not an anniversary loop with best-ofs and pats on the back, but a loose series of concert evenings as they are created here: with people from the city, from the extended orbit, from the past, from now, from tomorrow.
Bands and artists who shape this place, turn it upside down, take it apart and reassemble it - and sometimes simply hijack it to show what's happening here.
No matter whether you've known the place for years or are coming in for the first time:
Look forward to an open mess of reunions, new discoveries and moments that only happen here. Between bar, stage and pool tables, between first drink and last cigarette.
Part I
PAULINA PANK is the name of the duo from Dresden, consisting of two men. With guitar, bass, keyboard and drum machine, they create an extremely danceable sound. Electro-pop with a punk attitude and a good deal of politics. - SM music
What a debut vinyl, simply bomb! New wave meets punk and NDW. You can listen to the record from the first to the last song.
from the first to the last song, almost hit after hit. Sometimes personal, sometimes political. The record is simply awesome. - Save The Scene Records
"Are you Frittenbude in a bad way?" - Interjection from an anonymous punk
from the audience
"I don't think that suits us, I would kindly cancel."
"I feel the same way, I honestly don't see much perspective."
- Accidentally attached e-mail history of a booking agency rejection
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SCHMUTZ make music without a plan and without railings. Between punk, rap and brittle indie moments, they create songs about being lost, everyday life and failure in this world.
Bluntly sung, uncleanly played and yet unshakeable - scribbling and yelling as attitude, by and for FLINTAs, Allys and all those who want to become one.
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MILA KANN LACHEN is a bizarre attempt to bring the absurdities of everyday life into an easily consumable form.
With ironic lyrics, philosophical side blows and a good dose of humor, Mila kann lachen move somewhere between lightness and depth. Their approach remains consistently open: Everything can, nothing has to - the main thing is to create a moment that sticks.
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Free admission. Cultural contribution directly to the bands.