Arnold Dreyblatt has worked with the definition of overlapping time sequences in scores in various performative installation projects since the 1990s. John Cage's groundbreaking work Theater Event No. 1 (Black Mountain College, 1952), in which artists performed simultaneous activities of their choice between the audience within given time slots, is an important reference for Dreyblatt's artistic practice to this day.
Berlin-Karussell takes up Cage's circulation processes and further develops the idea of a non-centered composition; over 40 international artists from various disciplines create simultaneous, non-linear events. The public project space in Hall 3, designed by raumlaborberlin, becomes a production site where the boundaries of artistic categories are transcended and expanded. The interdisciplinarity of the overall work and the time-based art forms that can be experienced in the process form the core of the project.
Over 40 international artists from various disciplines will create simultaneous, non-linear events in a composition developed by Arnold Dreyblatt in the style of John Cage.
Opening with staircase speeches, performances and party
A project by Arnold Dreyblatt and the Akademie der Künste in cooperation with raumlaborberlin
7 pm
Opening with Manos Tsangaris, Arnold Dreyblatt, raumlaborberlin
Marc Matter, Sound Practice Research Kollektiv (SPRK) of the Folkwang University of the Arts
From 9 pm
DJ set with Anna Butter, Mouse on Mars
(Exhibition "Vessel & Voyager" open until midnight)
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