Die Welt im Rücken
In the organizer's words:
by Thomas Melle
In a stage version by Lucia Bihler and Gwendolyne Melchinger
staging
Lucia Bihler
Life as intoxication, as a party, as a superstar with flights of fancy, fantasies of omnipotence and a fall into a bottomless pit, into silence, emptiness and nothingness ... Then, very slowly, a quiet, tentative new beginning.
Thomas Melle describes the chronicle of a bipolar disorder, the captivating and breathtaking manifesto of a writing self. His novel is a literary force: poetic, highly comic, dramatic, precise.
This content has been machine translated.
In a stage version by Lucia Bihler and Gwendolyne Melchinger
staging
Lucia Bihler
Life as intoxication, as a party, as a superstar with flights of fancy, fantasies of omnipotence and a fall into a bottomless pit, into silence, emptiness and nothingness ... Then, very slowly, a quiet, tentative new beginning.
Thomas Melle describes the chronicle of a bipolar disorder, the captivating and breathtaking manifesto of a writing self. His novel is a literary force: poetic, highly comic, dramatic, precise.
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