FOTZENSCHLEIMPOWER GEGEN RAUBTIERKAPUTTALISMUS

“Fotzenschleimpower” is not a play. It is a ghetto-intellectual rebellion with humor, a survival strategy, a collective cry against shame, conformity, class, and cultural propriety.
As the first show of the festival, “Fotzenschleimpower” sold out immediately. Not because it was tame—but because it hit home. And perhaps also because, for the first time, it empowers—without resorting to victim-migrant-barn-theater folklore—by telling the story of what it means to be a woman with a refugee background.

Amid Balkan rage, Berlin sass, pop, trauma, the body, desire, and class realities, a radically personal performance unfolds: autofictional, loud, vulnerable, funny, and brazenly political.
A play about Berlin—about origins, rags-to-riches tales, gentrification, precariousness, contradiction, and life in between.

Fotzenschleimpower reclaims the devalued, the slimy, the working-class, the uncomfortable. It thinks “ghettolectually,” feels collectively, and transforms powerlessness into agency.
What happens when we no longer want to please? When we tell our own stories—beyond high culture, shame, and false class?

“Fotzenschleimpower” is an invitation to form an alliance. Powerful. Angry. Funny. Uncomfortable. By us. For us.