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LA MAMAN ET LA PUTAIN (1973)
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In the organizer's words:
An aimless flâneur (Jean-Pierre Léaud) spends his days divided between two women, endless conversations in Parisian cafés, and a search for himself. At the heart of the film is a love triangle set against the backdrop of the upheavals of 1968, which unfolds with unflinching candor, navigating the realms of self-presentation, desire, and emotional cruelty. A work that remains challenging to this day, exploring love, language, and the impossibility of finding common ground.
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