In the organizer's words:

Lennart Schilgen writes songs that tell stories. Mostly about what he fails at: making decisions. Impressing girls around the campfire. Abolishing capitalism. But he always succeeds in wresting unheard facets from the "guy with a guitar" concept. Musically adept, he plays with genre traditions and jumps casually between styles and moods: Sometimes Beatlesque pop, sometimes a tightly marching protest anthem, sometimes a "Reinhard Mey parody to kneel down to" (Mannheimer Morgen). He has received numerous awards for his "sparkling linguistic artistry" (AZ), including the "Prix Pantheon". Of course, he knows that prizes don't necessarily say anything about quality. But when he wins them himself, he can overlook this surprisingly well.