The Atlantic as a meeting place: the great crime of the slave trade in the triangle between Europe, Africa and the Americas shaped the world as we know it. It also had a lasting impact on the history of music. Jordi Savall, the great visionary of historical performance practice and connoisseur of world musical cultures, develops a sound dialog of mutual influences between European Baroque and the songs of slaves between 1440 and 1880 with his pioneering ensemble Hespèrion XXI and musicians from Cuba, Haiti, Brazil, Mali, Venezuela and Mexico.
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