The musical roots of the six-piece Leipzig band Hotel Rimini can be described as widely ramified, even without botanical expertise. Electric guitar, double bass and drums mingle with cello and violin; piano and acoustic guitar meet effects units, a sporadically used French horn or an aged Casio. The German lyrics are dedicated to the crocodile tears of urban affluence problematics, coming to terms with the past on public transport or failing to cope with the brutalities of everyday life.
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