In the organizer's words:

Attwenger play wos...

A few sentences about the tour...

Behind their very own alienation from tradition, Attwenger hide a pop-cultural universe that ranges from rock'n'roll and polka to trip-hop and techno. From two-minute song miniatures to twenty-minute hypno loops, everything is included. You have to see them live to understand the full range of their musical magic and to feel their special groove. Life without Attwenger is possible, but not desirable.

Because the stars ran out of ideas in this country, they traveled to Africa and Latin America to make music with the natives. In the case of Attwenger, things are different. Here the savages make music themselves. Instead of world music, they have their own musical world.

Attwenger combine elements of traditional music with punk rock, trap, hip-hop, techno, dub and rockabilly. Their minimalist concept has long since ceased to have much to do with folklore, the orientation of their music is much more internationalist, the lyrics groovy, crazy, critical of mentalities or as the Süddeutsche Zeitung put it: High-quality madness in dialect. In the same newspaper, Attwenger were described as virtuoso ruffians who make lightning-fast music that makes your ass shake. Hans-Peter Falkner (electric button accordion, vocals) and Markus Binder (drums, electro beats, jew's harp, vocals) founded their duo in the early nineties and have never set out to conquer the mainstream, but rather to constantly develop their special blend of the most diverse ingredients. Without Attwenger it would be narrower, but they remain e even longer.