The band camou has been playing in all possible and impossible places since 2012, surprising listeners with sound installations that can be classified as electro-acoustic (OBeat) pop. The story of camou begins in a shelter at the Rostock-Marienehe S-Bahn station. Only moderately protected from wind and weather and despite the passing S-Bahn trains, the first pieces were formed in this crea>ve refuge. While reggae and Balkan influences still characterized the work of the two warriors at this time, they increasingly learned to use the delay control (turn it up) and press synthesizer keys. This new source of inspiration brought them a little closer to the beginning of the rainbow