Ticket prices at the box office will be flexible on a pay-what-you-can basis: 0€, 10€, or 16€.

* 0€ (Social Price) - only available at the door
* 10€ (Mid Price) - available both in presale and at the door
* 16€ (Supporter Price) - available both in presale and at the door

Why Three Prices?

Our goal is to make sure everyone can enjoy live music and culture. We want you to choose a price that matches your current means. While cultural funding helps, the support of those who can pay a bit more makes these events possible for everyone. Whatever you choose to pay, we ask you to make an informed decision. If you're unable to contribute at the moment, this show is on us.

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CoreChaos on Kathryn Mohr...

Kathryn Mohr whispers, weeps, or wails, perhaps all at once. What reaches us? Vocals and guitar, certainly, yet the shadows suggest more: electronics, a sampler, loopers, drones? The lights are dim, at Favoritbar, on her album covers, in the microcosm of her music, just faint bulbs glowing. We lean in, searching for a glimpse of the sombre silhouette, the hushed yet piercing sound world she shapes.

Her dusky lullabies drift upward, urging us to stare at the ceiling as time slows. Then her voice swells, and angular guitar strums cut like shards through the somnambulist haze. We raise our heads, trying to decipher her expression: anger, frustration, sorrow? Yet we hesitate to meet her gaze, wary of the shadowed intensity that lingers there.

So we retreat again into the half-light, wrapped in eerie but oddly consoling reveries, textures and emotions that resist our grasp and perhaps should. Some things are better left unresolved, unnamed, unseen. Kathryn Mohr and her tapes fade back into the night: and we follow, carrying echoes we can neither hold nor forget.

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artist info

Oakland-based musician Kathryn Mohr released her first EP, titled "As If", in 2020, an analog-synth based amalgamation of dark ruminative songs, which garnered the attention of DIY artists and the record label The Flenser. Mohr released her second EP "Holly" in 2022, which was co-produced by Madeline Johnston of Midwife, a shimmering collection of guitar songs with desolate electronic interludes. Her debut record, Waiting Room, which she wrote and recorded in isolation over a one month stay in Iceland, will be released on vinyl on January 24th, 2025.