Emese Kazár takes up the tradition of the pictorial narrative of 14th and 15th century Italian fresco painting, in which the painted house - for example in the work of Giotto or Fra Filippo Lippi - becomes a narrative space. In the installation conceived especially for the pavilion, the outbuilding itself becomes a narrative space. The elements of the installation make the contrasts between inside and outside tangible and refer to the narrative of Christian painting.

The focus is on the textile as a second shell of the body, as a carrier of memory and experience. Found objects from the artist's family estate - such as scraps of fabric from worn clothes - form the starting point for works that refer to each other and blur media boundaries.