In the organizer's words:
How do democratic societies deal with their totalitarian past? Why does it take so much courage to face up to one's own crimes and missteps? And to what extent can remembrance contribute to the long-term preservation of liberal structures? Michel Friedman discusses these and other questions with the writer Anne Rabe. The starting point of the conversation is our revival of Mieczysław Weinberg's opera The Passenger, in which a ship's passenger is involuntarily confronted with her past as a concentration camp guard.
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Oper Frankfurt
Frankfurt
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