The rehearsal process itself becomes a meeting space: personal stories, cultural imprints and biographical ruptures find their expression in the body. In the diversity of perspectives, there is no contradiction, but rather a shared becoming. The stage becomes a place of negotiation, of showing and listening - a space in which difference does not divide, but sustains. Identities dispenses with linear narration. Instead, a kaleidoscope of experiences, voices and bodies emerges - polyphonic, fragmented, contradictory and, precisely because of this, truthful. It invites reflection on the self and the other. It does not ask for unambiguity, but for connection - across cultural lines.