The painter Hartmut Piniek has found his own pictorial and formal language. As often as this phrase is used to emphasize the originality of artists, it applies here without reservation. Piniek's pictorial worlds, which meander between the micro and macroscopic, are immediately recognizable. What is recognizable, however, is in the eye of the beholder. Are they landscapes that are flooded? Abstract color surfaces or a variation of figurative painting that attempts to elude unambiguity? These questions will be explored in conversation with the artist.
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