In the organizer's words:
A shadowy story unfolds from the flickering light of the concrete-grey parking garage: a creature - neither entirely human nor entirely alien - opens up a mythological world that poses self-critical questions to the viewer. How does one's own body relate to this figure, to its vulnerability, to its environment? In it, we encounter an ecofeminist perspective that questions the separation of human and nature, subject and object in an unreal setup. The installation explores transitions between perception, identity and memory and unfolds a moment of uncertainty. Transformation does not appear as a dramatic change, but as a quiet switching between states, times and sensations.
The parking garage becomes a resonating space for these questions: a threshold place where both individual and social perception are set in motion and seeing becomes a physical experience; fleeting, tentative, open and yet possibly overwhelmed.
Invited by Fiona Pauline Borowski
Nadine Karl graduated in 2024 as a master student at the Düsseldorf Art Academy under Professor Dominique Gonzalez-Foerster.
This content has been machine translated.Location
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