In the organizer's words:
play
by Henrik Ibsen | German by Hinrich Schmidt-Henkel
In German language
Luxurious house, beautiful children, bright future - a (nightmare) dream. Nora has traded freedom for status and lives as her husband's pretty plaything in the titular doll's home. Henrik Ibsen's moving story of emancipation retold by Julia Gudi. The bourgeois life model as theater, the role of the woman: to be beautiful, to be funny, to be harmless. Nora plays it brilliantly, reaps social privileges and pays with the loss of her maturity. She lives in the illusory world of a house full of trivial things. In the course of the plot, the hard facts of its foundations come to light: patriarchal structures, wealth at the expense of the less privileged, credit fraud. Henrik Ibsen's Nora is a colorful character, oscillating between self-sacrificing self-sacrifice and luxury girl, between feminist icon and privileged liar. The play has been rewritten and reinterpreted countless times. 147 years after its publication, it is ideal for a review of the topic of female emancipation. It is time to think about leaving and staying; Nora has to make a decision. Julia Gudi stages the drama as a modern chamber play in which romantic relationships become visible as a political space and shows how love, power and economic dependency are still entangled today.
This content has been machine translated.
by Henrik Ibsen | German by Hinrich Schmidt-Henkel
In German language
Luxurious house, beautiful children, bright future - a (nightmare) dream. Nora has traded freedom for status and lives as her husband's pretty plaything in the titular doll's home. Henrik Ibsen's moving story of emancipation retold by Julia Gudi. The bourgeois life model as theater, the role of the woman: to be beautiful, to be funny, to be harmless. Nora plays it brilliantly, reaps social privileges and pays with the loss of her maturity. She lives in the illusory world of a house full of trivial things. In the course of the plot, the hard facts of its foundations come to light: patriarchal structures, wealth at the expense of the less privileged, credit fraud. Henrik Ibsen's Nora is a colorful character, oscillating between self-sacrificing self-sacrifice and luxury girl, between feminist icon and privileged liar. The play has been rewritten and reinterpreted countless times. 147 years after its publication, it is ideal for a review of the topic of female emancipation. It is time to think about leaving and staying; Nora has to make a decision. Julia Gudi stages the drama as a modern chamber play in which romantic relationships become visible as a political space and shows how love, power and economic dependency are still entangled today.
Location
Organizer | Theater
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