In the organizer's words:

Rob-Rob-Robin Hood! Who was the masterful archer, fighter for the poor and nightmare for the rich? Was there one Robin Hood? Or is it rather the idea of utopia, hope and resistance against a corrupt ruling class that splits into different versions of one character?

"For I believe that only in the hearts of us children dwells pure freedom and righteous justice. For we children are incorruptible in these things."

"It's all in flux": In ATZE Musiktheater's adaptation of the mythical story, anyone can be Robin Hood: The stage spectacle focuses on the farm boy Alan Miller, whose family is left with hardly anything to live on and who is arrested by the royal soldier's guard under unfortunate circumstances, but manages to escape again after a short time. This is where the idea of Robin Hood becomes hope for the outlaws and at the same time a danger for the Sheriff. Misfortune suddenly seems to take its course, were it not for the demented king's princely child, who promises to turn history around with a seemingly simple letter...

Packed with lurid sing-song moments (music: Thomas Sutter) and rhythmic salvos, Robin Hood takes the saga of the noble avenger as its basis and gives the stereotypically glorified figure the necessary depth by turning them into independent characters capable of taking their fate into their own hands, spurred on by the ideas of Robin Hood. I am Robin Hood! No, I am Robin Hood! Who is Robin Hood? We are all Robin Hood!