Sinem "Hatun" Releaseshow + Naari

October 31, 2026, Urban Spree (doors at 7:00 p.m., show starts at 8:00 p.m.)
 

SINEM "HATUN" Album Release Show

Anatolian rock, pop, post-punk. staasakt
Sinem’s music is an energetic fusion of Anatolian rock/pop and post-punk, blending traditional Turkish sounds with edgy New Wave elements.
Led by singer Sinem Arslan Ströbel, the Munich-based project reimagines classic Turkish folk and 1960s/70s crossover anthems through a sharp, contemporary alternative lens

  Instagram | Spotify
 

Opening act:Naari  

Neeraja Narayanasamy + Jyoti Sekhawat: Rage, mysticism, and vulnerability.
First single“I Like It” will be released on October 15, 2026
Bridging the gap between the New Delhi and Berlin underground scenes—Naari has returned with new music, showcasing heavier guitar riffs, confrontational lyrics, noise, and drone while staying true to her vocal style.  

BandcampI Spotify 

ALBUM INFO Sinem Hatun

Sinem’s grandmother, Hatun, packed her suitcase a long time ago and moved to Germany.
Sinem’s second album is named after her grandmother.
Sinem grew up in Upper Bavaria, on the shores of Lake Ammer, and was raised on Western pop music (“Tanz den Mussolini”) and the music from her grandparents’ Turkish homeland.
These are classics of Turkish pop culture that are reinterpreted time and again—songs about love—unrequited, impossible, and lost—but also about what happens in the village, in the country, and in the world, about injustice, and about resistance against it.
On her first album, “Köşk,” Sinem reinterpreted such classics. What they all had in common was that they conveyed a certain attitude. Through her lyrics, her sound, or through elegant moves like this one: singing the song of a macho man who talks about a woman. But the fact that it is now Sinem’s voice singing these words, while she rolls ecstatically around on stage, says more than any feminist seminar. That is Anadolu Punk.

The new album, “Hatun,” begins with “Ötme Bülbül Ötme,” written by Pir Sultan Abdal and performed by Sercan Öztürk and Hüseyin Korkankorkmaz. It’s one of the songs Sinem heard her grandparents sing. Perhaps it told them about life in a foreign land: “Don’t sing, nightingale, my garden is not joyful. I’m wasting away with longing for you.” For “Hatun,” Sinem has once again taken on classics by Sezen Aksu, Erkin Koray, and others that hold special meaning for her and have been with her for a long time.

Sinem, the band in which Tom Wu is responsible for the music and Sinem for the vocals, has now also written its own songs. Because they come from within themselves, they develop a power of their own. The voice of tradition is answered from the present; the past serves as an echo chamber for today’s stories.
The expectations others place on us only make us look back to the past and forward to the future, but never live in the moment and be content with what we do and who we are.
Sinem has a sassy response ready: “Bana ne”—I don’t care! “I did this myself. And I did that myself. What are you going to do about it? What's happening? I don’t care!” On the album’s second track, Sinem raises her voice over a muscular, rocking track that stoically forges its own path with a steady stride....

[Text (abridged) by Uli Gutmair]

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