The steep rise of Anton Raphael Mengs (1728-1779) to become one of, if not the, most famous painters in Europe from the middle of the 18th century was matched by an equally steep fall in general esteem just a few years after his death. The colloquium examines the factors that help to understand both the relevance and the changing reception of Mengs. For a differentiated assessment, it seems important to distinguish more clearly than in the past between the spheres of influence of aesthetics, the reception of antiquity, the academy and art theory.
Concept: Steffi Roettgen and Ulrich Pfisterer
Program
14:00 hrs | Ulrich Pfisterer // Welcome and introduction
14:15 | Moderation: Steffi Roettgen, LMU
Gernot Mayer, University of Vienna // On the Hunt for Mengs: The Reception of Anton Raphael Mengs in the Mirror of Transnational Networks
Susanne Adina Meyer, Università di Macerata // Between Painting and Philosophy. Anton Raphael Mengs as reflected in Roman art journals of the 18th century
Andrés Úbeda de los Cobos, Museo del Prado, Madrid // Mengsianus Methodus, or the limits of a strict system of thought
15:45 hrs | Coffee
16:15 | Moderation: Hubertus Kohle, LMU
Susanne Müller-Bechtel, Julius-Maximilians-Universität Würzburg //
Antiquity - Reception - Model. Anton Raphael Mengs' studies of the human body
Roland Kanz, Rheinische Friedrich-Wilhelms-Universität Bonn // Casanova as Mengs' adept
Steffi Roettgen, LMU Munich // "Icons" with an expiry date - on the influence of copies on Mengs' post-fame
17:45 hrs | Break
18:00 hrs | Moderation: Léa Kuhn, ZI
Tilman Schreiber, Friedrich Schiller University Jena // Anton Raphael Mengs as a "(Neo)Classicist" - Reflections from a heuristic perspective
Michael Thimann, Georg-August-Universität Göttingen // The Cold Path: Mengs among the Romantics
19:00 hrs | Final discussion
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Participation is free of charge.
The event will be broadcast in parallel via Zoom. You can join the Zoom meeting at the following link: https://us02web.zoom.us/meeting/register/lrgWhAn5TROcv7u9cBAtfw. Recording of the event or parts of the event as well as screenshots are not permitted. By participating, you accept these terms of use.
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