In the organizer's words:

Dota is back with new songs, a new chapter that fits perfectly into the series of her previous albums, but still new, as if a previously unknown ingredient had appeared in the song lab. What's nice is that it could just as well be the first DOTA record ever. You won't miss anything you like about Dota, but the music is even more minimalist, bouncier - adults would say: more contrasting. The lyrics go even more directly into the heart of darkness, are even more devotedly searching, even clearer in the unclear. Perhaps it is also a product of her preoccupation with the poetry of Mascha Kaléko, to whose musical realization she has dedicated two albums in the last three years.