The latest GHOSTWOMAN album "Welcome to the Civilized World" was born into a broken world; a corrupt legacy - Evan Uschenko and Ille van Dessel have no illusions about its futility - and yet this thing is alive. It is an allergic reaction to the times we live in: a wound crying out to be itched, the catharsis of a modern disease they could no longer bear. Beyond rationality, this record was born out of gut instinct and a lack of other options. Hell may be ripped wide open - but GHOSTWOMAN will not go quietly.
GHOSTWOMAN became a head-on collision between the rusty blades of its guitars and their corrosive drumbeats, driving them into a shared oblivion. "Welcome to the Civilized World" is an album that is a pure distillation of their shared vision. From the first sketch to the final form, GHOSTWOMAN themselves were the only ones to touch it.
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