In the organizer's words:

If she were a doll, she would be weird Barbie: with her powerful, delicate voice, LNA (pronounced like DNA) interweaves elements that seem to have nothing in common to create a fascinating universe in which indie, electro-pop and elements from film music shake hands.

The sound of the artist, who mainly produces her own music, is somewhere between Sylvan Esso and Radiohead and likes to avoid the usual genre clichés with a captivating mix of catchy basslines, organic samples and driving drums. He leaves room for her voice, which she uses like an instrument. Paired with intimate, narrative songwriting, LNA hits a sweet spot in which the attentive complexity of themes like feminism and coming of age culminate in a playful, almost simplistic listening experience that still grabs you at the core: this artist makes her hard work sound damn easy on the ears.

LNA brings it all to the stage in pairs with live drums and a hodgepodge of effects devices and instruments that are still unusual in pop music, such as the flute. Her uniquely honest and danceable live performance has thrilled audiences at the Reeperbahnfestival, c/o pop and as a support act for MEUTE, Novaa & Mayberg, among others.

LNA ranges from minimalistically observant, gentle moments that create a pastel and butterfly-like closeness, to deliberately powerful gestures that break out into the open space with an exclamation mark, where the energy then discharges for a thunderous moment. LNA shows are a safe space for all those who don't want to be alone with their beautiful and unpleasant feelings and feel the need to tear down their own walls. After a long night, their music brings you home at dusk, where bluntness meets euphoria, and makes you feel like you're the main character in your own movie.