In his solo THE LONG RUN, Sebastian Weber examines his own role as a white man in a black art form.
In the early 1990s, Sebastian Weber experienced the New York tap dance scene as a place that had left racism behind. The black masters of jazz tap practiced tap dance as a community of solidarity into which they welcomed young Europeans with open arms. "If you have a pair of tap shoes on, you are in!" said Gregory Hines and his brother Maurice seconded: "Dancers don't see color" - and meant it in a positive way. 30 years later, a renewed understanding of racism and privilege is shaking up the certainty of that time. Was the community back then a mistake? How can this error be corrected? Are the utopias of that time still conceivable today?
THE LONG RUN is a piece about cultural appropriation and identity, about white responsibility and racism. A dance about transience and memory, a questioning of the body as a repository of encounters and stories.
Ages 12 and up.
Price information:
Premiere Regular: 16,- € Premiere Reduced: 11,- € Regular: 13,- € Reduced: 9,- € Solo price: 20,- €