Kristof Schreuf writes in the taz (13.6.22): "This Gil Scott-Heron from Kreuzberg doesn't have to cleanse any gates of perception to find out that a word flow can be infinite. Because Yaneq simply enters these gates."
Max Dax writes: "Out of nowhere, Yaneq gives us analog-rattling, jazz-infused hip-hop beats, paired with German lyrics that are so good you want to read them as a book of poetry. Does German hip-hop still have a lyrical future beyond the contempt for women? It seems so, and that is a long-awaited sensation."
Jan Joswig writes: "Hip-hop as a martial arts discipline is certainly not Yaneq's idea of a good time. Let the others struggle in the aggro loop. He'd rather throw on his housecoat and play a round of croquet in the garden. Ghetto king? Country house bobo!"
Is this event accessible / barrier-free?
The concert area is at ground level and accessible without steps.